Scud filmmaker movie#
Scud filmmaker tv#

That was back in the day when you would brag how many times you went to see a movie. Then, of course, when I went to see it in the theater I was blown away. So that was my first, вЂњOh, what is that?вЂќ He saw the trailer for it, and like, everybody was freaking out.

Scud filmmaker movie#

вЂњHe rolls around like this, and thereвЂ™s this bad guy who breathes really heavy.вЂќ And he hadnвЂ™t even seen the movie yet. He would kneel on the floor and put his arms back in a very R2-D2-like stance. I remember him acting out how Artoo moved. Rob Schrab: My older brother Jeff Schrab was talking about this movie that was coming out, and I remember him describing how R2-D2 was like a robot who had legs, but also had wheels at the same time. : I want to start off by asking you not about the first time you saw Star Wars, but if you remember the first time you heard about it? recently spoke with Schrab about getting exposed to Star Wars through a droid impression, what he loved about Revenge of the Sith, and talking Hoth creatures with his visual-effects hero. See Scud #1 for a more overt tribute to Star Wars, in which the villainous (female) Jeff shouts, вЂњNow, young Skywalker, you will die!вЂќ Though she does it from her mouth-knees. This blend of sensibilities comes from SchrabвЂ™s affinity for different facets of pop culture - filtered through his own creative lens. Jeff,вЂќ often go to very strange, and very funny, places.

Scud filmmaker tv#

His 1994 cult-classic comic Scud: The Disposable Assassin stars a vending-machine robot killer turned hero who falls in love, told in a bold, kinetic style the childrenвЂ™s animated horror-comedy Monster House, which he co-wrote with Dan Harmon, doesnвЂ™t shy away from scares and puts a fresh spin on haunted house tales and his directorial efforts on TV shows like Community, including the dead-on G.I. Scud has cited Pier Paolo Pasolini, Pedro Almodovar, and Peter Greenaway as directors who have influenced his work.Rob Schrab is a modern master of fun, weird, energetic, and heartfelt visual storytelling. His film-making style eschews cynicism or gritty realism, and embraces an acceptance of the life choices made by his characters, rather than a search for 'solutions'. His films explore themes usually deemed too controversial for Hong Kong cinema, including same-sex relationships, drug-taking, and many nude scenes of Chinese young men whose pubic hair and genitalia are fully exposed on camera. He also wrote and produced a number of works including 'Permanent Residence', 'Amphetamine', 'Love Sucks', 'You' and 'Tong Liu He Wu'. He established an independent film company 'Artwalker Limited' and co-operated with Hong Kong senior director Liu Guochang for the first film 'A City Without Wilderness'. After getting a degree in computers from the Open University of Hong Kong and working in the IT industry for 20 years and working stint at an MNC, he decided to take a step back and moved to Australia to rethink the direction of life and re-plan his future for his love in music and literature. He was born in Guangzhou and moved to Hong Kong with his family at the age of 13 and spent his youth in part-time study. Zheng Yun Xiang, known by the stage name Scud Cheng, is a Hong Kong director. Also Known as: й›Ізї” Danny Cheng Wan-Cheung дє‘зї” й„й›Ізї” Zheng Yunxiang Yunxiang.